Less reflective, darker and more durable black coating – I have no use for fingerprint-magnet Duratect coatings and colours.5:4 and 4:3 aspect ratios for magazine and portrait photography and other commissioned work.D-pad for fast programmable access to functions instead of over-reliance on touchscreen gestures.Dual SD card slots with UHS-II compatibility.Optional accessory hand grip for even more security in holding it.Larger battery than X-Pro2 so we don’t have to carry two spares for day-long documentary projects.Up to Cinema 4K recording on par with X-T5 – we prefer C4K’s 17:9 cinematic aspect ratio to television’s 16:9.Durable fully-articulating or tilting LCD monitor for working discretely in difficult situations and no failure-prone ribbon cable.OLED electronic viewfinder aka EVF instead of X-Pro2’s TFT EVF.OVF bright lines for 18mm through to 56mm: longer than that, switch over to the EVF.Larger, brighter optical viewfinder aka OVF.We’ve published what we want in the X-Pro4 over the years since Fujifilm released its rather disappointing X-Pro3 but it’s appropriate to state that again: Last year, in 2022, Fujifilm surprised and impressed us here at Unititled.Net with the X-H2S, X-H2 and recently the X-T5, and in 2023 we’re looking forward to the arrival sometime this year of the X-Pro4. Photograph © copyright Karin Gottschalk 2023. Fujifilm X-Pro2 digital rangefinder camera with Fujinon XF 23mm f/2.0 R WR “Fujicron” lens and Fujifilm MHG-XPRO2 metal hand grip, a necessity when attaching lenses larger than this one.
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